Showing posts with label Medical Humanities. Show all posts
Showing posts with label Medical Humanities. Show all posts

Friday, January 4, 2013

AMSA Medical Humanities Scholars' Program Seminar Topic Creative Arts in Medicine

Press Release, January 4, 2013
Cheryl L. McLean, Publisher of The International Journal of The Creative Arts in Interdisciplinary Practice, IJCAIP has been invited to facilitate an upcoming seminar in March for The American Medical Student Association, Medical Humanities Scholars’ Program. The program draws together physicians, humanists, scholars and others to lead student sessions and open up discussion around the practice of medicine and integration of science and humanities and to explore how  the humanities enrich and lend perspective to the medical field.  
The American Medical Student Association (AMSA) founded in 1950,  is based in Washington and is the largest independent association of physicians in training in the United States.  Uniquely student governed,  AMSA  has a membership of 68,000 from across The United States.  Among the key goals of the AMSA are to advocate for quality and affordable health care for all, equality in global health and enriching medicine through diversity.
The theme for this year’s  AMSA, Medical Humanities Scholars program is “Perceptions of Physicians in Literature and the Arts”.  Ms. McLean will lead a session around  the growing diversity and vitality of the creative arts in medicine, education  research and practice.  This webinar will also be available for access at the IJCAIP Journal website at http://www.ijcaip.com.  She is editor of the upcoming book, “Creative Arts in Humane Medicine” to be published by Brush Education for release in 2013. 

Wednesday, October 28, 2009

IJCAIP October 09 Issue Explores Arts in Medical Education



Arts Alive and Thriving in Medical Education
C. McLean, Publisher IJCAIP

It has been reported that the use of arts and humanities in medical education may help develop observational skills and enhance understanding of the human condition. Programs integrating the arts and humanities in medical education continue to flourish and gain momentum with leading medical schools offering programming such as Stanford School of Medicine, Arts, Humanities and Medicine, established to “promote creative and scholarly work at the intersections between the arts, humanities and medicine in order to enhance our understanding of the contextual meanings of illness, healthcare, and the human condition.” In Canada, Dalhousie University, Halifax, Humanities in Medicine, offers five core initiatives: History of Medicine; Narrative Medicine (oral storytelling film, mass media, and literature); Music; Spirituality; and Visual Arts. The Arts and Humanities in Health and Medicine Program at the University of Alberta was launched in May 2006. The program is directed to engendering a balance of scientific knowledge and compassionate care with a mission statement that formally acknowledges “the explicit recognition within the Faculty that clinical practice is both an art and a science.”

The arts are alive and thriving in medical education today, offering opportunities for learning and a place for self expression and healing. A leader in the field of Narrative Medicine, Dr. Rita Charon, Professor of Clinical Medicine and Director of the Program in Narrative Medicine at the Columbia University has long advocated for the use of narrative in medical education to honour stories of illness. Dr. Arthur Frank, Professor of Sociology, University of Calgary, and author of “The Wounded Storyteller, Body, Illness and Ethics”, writes about the meaningful uses of storytelling for those experiencing illness, “The personal issue of telling stories about illness is to give voice to the body, so the changed body can become once again familiar in these stories.”

In our current issue of IJCAIP, http://www.ijcaip.com, "Physicians Speak Out About Arts in Medicine" we've offered physicians a place to voice their stories and share how they use the arts in education.
Our featured article in issue 8 of The International Journal of the Creative Arts in Interdisciplinary Practice IJCAIP, “Stories and Society, Using Literature to Teach Medical Students About Public Health and Social Justice,” has been contributed by Martin Donohoe, MD, FACP, Adjunct Associate Professor, School of Community Health, Portland State University and Senior Physician of Internal Medicine at The Kaiser Sunnyside Medical Centre. Donohoe offers an argument for “enhancing public health education of medical students through the use of literature with the goal of creating activist physicians knowledgeable about, and eager to confront, the social, economic and cultural contributions to illness”. He has also generously provided an extensive list of books, articles and resources. A follow up commentary by Jay Rosenfield, MD, MEd, FRCPC, Vice-Dean of Undergraduate Medical Education, Faculty of Medicine, University of Toronto, stresses the need for continuing research to examine the use of literature and story in medical education further, particularly when linked to advocacy and health of populations and patient outcomes.

Maureen Rappaport MD, FCCFP, is a family doctor who splits her time between working in a busy community practice in Montreal , Quebec, and teaching family medicine residents and medical students. In the article, “The Poetry of Practice” she writes about the creative writing course she teaches as an elective to fourth year medical students at McGill University, a course that provides an important place for students to express their feelings through narratives and poetry.

Physician and Educator Pippa Hall MD, CCFP, MEd, FCFP, at The University of Ottawa, has been a palliative care physician for over ten years. She has integrated arts into learning activities for pre-licensure students and in post graduate programs as well as in continuing professional development activities in nursing and spiritual care. She explains how she has found the arts in many forms provide opportunities for learning while offering new insights into the human condition.

Seema Shah, MD, MSPH, offers a unique perspective as both a physician and patient who has experienced chronic illness. Working with The University of British Columbia Community Partnerships for Health Professional Education Initiative, she facilitated group sessions using literature and story to help teach students about the lived experience of illness.

Our closing commentary explores the exciting potential for other innovative and creative technologies incorporated into teaching and medical education. Kim Bullock, MD, family medicine and emergency room physician, and Director of the Community Health Division and Assistant Director of Service Learning in the Department of Family Medicine at Georgetown University, Medical Centre, Washington, believes digital storytelling in medical education has the potential to “link the social, environmental, and historical issues that influence health and illness through graphics”. “What emerges,” she writes, “are voices from the community that bear witness to issues that influence health including problems related to the environment, housing, public safety violence, inequities ..”

The voices represented in this issue of IJCAIP speak about progressive approaches to learning that have the potential to offer hope and change in education and in healthcare practice. There may yet be questions to be answered but, given the space, there will always be stories to tell and those who will witness, learn and be transformed.

Thanks to all the physicians who joined us in this issue of IJCAIP for sharing their articles and commentaries while contributing to this lively discussion about the arts in medical education.

Issue 8 is accessible and available at the website for subscribers.
We invite you to read the full articles available and accessible from the IJCAIP home page in HTML and PDF formats. We hope you will share these stories with your friends and colleagues.


C. McLean, Publisher IJCAIP



Subscribe free to IJCAIP Journal with an email to CherylMcLean@ijcaip.com "please subscribe"

Read more about the creative arts in interdisciplinary practice in the upcoming book “Creative Arts in Interdisciplinary Practice, Inquiries for Hope and Change” to
be published by Detselig/Temeron Press, 2010, Editor, Cheryl McLean, Associate Editor, Robert Kelly.

Monday, August 31, 2009

Science and Humanism featured at Canadian Conference on Medical Education




May 1-5th 2010

Canadian Conference on Medical Education
(St. John’s, Newfoundland)

White Coat, Warm Heart Integrating Science and Humanism
The Program Committee invites the submission of proposals for workshops, oral and poster presentations in the areas of admissions, undergraduate, postgraduate, continuing medical education, faculty development or any other topic relevant to medical education.

for details: http://www.mededconference.ca/home.php

Sunday, March 22, 2009

Creative Arts in Interdisciplinary Practice, Inquiries for Hope and Change, Groundbreaking reference book valuable resource




Creative Arts in Health and Interdisciplinary Practice
Inquiries for Hope and Change

Cheryl McLean, Editor
(Editor/Publisher The Canadian Creative Arts in Health, Training and Education Journal)

Robert Kelly, Associate Editor
(co-editor "Creative Expression Creative Education, creativity as a primary rationale for education")

Published by Detselig Enterprises Ltd., Temeron Books

This current book is in process and will be released in 2010.

“Creative Arts in Health and Interdisciplinary Practice, Inquiries for Hope and Change" will feature informative and illustrative accounts from leading health researchers, social scientists, artists, therapists, nurse educators and other professionals, stories of topical research along with dynamic examples demonstrating how the creative arts in many forms as inquiry and in action applied across disciplines can make a critical difference for individuals and society as a whole.”

"This new ground breaking reference text will be a welcomed and validating collection evidencing with first hand accounts and through concrete examples the creative arts applied in research and interdisciplinary practice."

Information email: ccahte@cmclean.com

Thursday, March 5, 2009

Embodiment and Creativity Featured at Medical Humanities Conference Durham

CENTER FOR MEDICAL HUMANITIES
DURHAM UNIVERSITY
ASSOCIATION FOR MEDICAL HUMANITIES CONFERENCE 2009

CALL FOR PAPERS

The sixth annual conference of the UK and Ireland Association for Medical Humanities takes place in Durham, UK, 6th to 8th July 2009, on the general theme Taking the Body Seriously. The conference’s aim is to bring humanities resources, both single-discipline and inter-disciplinary, to bear upon our understanding of how our bodies constitute both the possibilities of, and the constraints upon, leading flourishing lives. Key themes include:


the role of the body in framing experience, knowledge, values and the imagination
• the place of the body in relation to creativity and the arts, both as generator and as object
• how science’s methods and agenda reflect the fact and form of our embodiment; and
• the place of medical conceptions of the body, health and well-being within prevalent contemporary understandings of human flourishing

In addition to these themes, there will also be a general section accommodating papers on topics of broad interest within medical humanities.

Papers under all of these themes, including the general section, are invited from medical humanities researchers, teachers and healthcare practitioners. Papers may be in any of three forms: full plenary presentation (40 mins); elective paper presentation (25 mins); or workshop presentation (15 mins). Abstracts of up to 250 words should be submitted electronically by 1st April 2009 to the organisers at cmh.admin@durham.ac.uk. Abstracts will be reviewed independently and decisions made and communicated to applicants by 24th April 2009.



Jane Macnaughton, Martyn Evans
Centre for Medical Humanities
Durham University


*Note for Canadian Creative Arts in Health, Training and Education Journal subscribers and blog visitors: I was contacted today about this conference and advised that the organizers are seeking presenters and potential speakers. CM

Thursday, October 9, 2008

Arts and Science Converge Through Dance, Ferocious Beauty: Genome

I would like to share with you today a video of the presentation about the performance by Liz Lerman' s Dance Exchange troupe exploring knowledge of the human genome through dance, "Ferocious Beauty, Genome". This presentation describing the performance process took place through Case Western Reserve University at the Renaissance Hotel on May 2, 2008. CM

From Youtube:
"Choreographer Liz Lerman discussed and showed excerpts from her highly acclaimed performance project, Ferocious Beauty: Genome. From folk tales to scientists as choreographers, the piece takes an unconventional look at the nature of the genome and its impact. Lerman asks tough questions about the ethical, legal and social implications of genomics: ....If we have the capacity to select what we want in our genes, what will happen to diversity? If perfection is possible, who decides what it is? "

"The development of Ferocious Beauty: Genome initiated an unprecedented collaboration between dance and science, as the Dance Exchange partnered with a group of scientist and humanities scholars from institutions such as the University of Chicago, University of Illinois and Princeton and Stanford universities, as well as Oak Ridge National Laboratory, the National Institutes of Health and the Genetics and Public Policy Center. Many of these advisors appear in the performance in videotaped interviews, representing viewpoints on the uses of genetic research that range from curing disease to maintaining bio-diversity to fighting terrorism.
Dance Exchange members and scientists learned from each other as the work evolved. Scientific collaborators provided accurate and objective information and the Dance Exchange filtered the information through their methodology for making dances, a process in which the company members engage as full collaborators."
above quote from Press Release


Sit in on this interesting lecture with video clips from the performance.Front row seats now at Youtube:

Watch it at: http://www.youtube.com/watch?v=LF_JYiPQToU

More info at: www.danceexchange.org.

Wednesday, June 11, 2008

Art, Humanities and Medicine Theme at Global Health Research Conference

We recently posted an announcement about The Sixth Annual Global Health Research Conference held at The University of Toronto. The exhibition explored transformative modes of conceiving the body, and its relationship to global health as well as the intersections of the arts, sciences and medicine. Below are excerpts from a recently published article
written by Brett Popplewell at The Toronto Star (June 7, 2008).


"For more than a century, the physician has been viewed as a robot with a scientific mind and, for the most part, a wooden bedside manner. But with medical schools paying more attention to arts and the humanities, a new breed of doctor – one that is both scientist and artist – is beginning to emerge in hospitals and clinics. The re-emerging significance of art and the humanities to modern medicine was the central theme at last week's sixth annual global health research conference at the University of Toronto.

"We are more than just repositories of evidence-based knowledge," says Dr. James Orbanski, a family physician, former president of Médicins Sans Frontières and the keynote speaker at the conference.

"The phenomenon, to use the broadest term, of a person who is both a doctor and a cellist, or a doctor and a poet, or a doctor and an artist, demonstrates this perfectly."

Orbanski, whose work as a physician in Rwanda was recently documented by the National Film Board, says people like Vincent Lam, the Giller Award winning doctor-turned-novelist, are examples of how the interests of many physicians often transcend the barrier between the arts and sciences.


Before the medical revolution of the 19th century, the study of the human body was as connected to the fine arts as it was to medicine.

With the advent of chemistry, biology, laboratories and new technologies, the traditional art of medicine was revolutionized. Ill-advised practices like bloodletting and purging became less common as cures for everything from consumption to syphilis.

As the scientific understanding of bacteria and viruses improved, science's importance to medicine increased and the teaching of what some refer to as the art of medicine – the human communication between doctor and patient – dwindled. As art and the humanities became less important, doctors with poor bedside manners proliferated.

Until recently, Canadian medical students had to learn their human touch during residency (medical school's version of an apprenticeship) by watching the interaction between senior doctors and their patients.

Dr. Peter Singer, a published poet and professor of medicine at the University of Toronto, says when he went through medical school 25 years ago, the curriculum was so focused on science that doctors would graduate without ever having been taught about medical ethics and other humanities.

"(I)t was very much focused on science and technology and the scientific understanding of anatomy, physiology (then)," he says.

"We would be taught in lecture halls filled with 200 people and have information thrown at us on medical science.

"I think we've come a very great distance in medical education in the last 25 years on the issues of balancing science and humanistic concerns," he says.

But beyond the humanities, what role, if any, do the fine arts have in modern medicine?

Singer says a doctor's knowledge of poetry and music helps them to understand the human suffering often involved in medicine.After all, a physician well versed in science and technology who also understands poetry is likely more in touch with the humanistic side of life and death, and thus better suited to care for patients on their deathbeds.

Visual art and music have also been recognized for their therapeutic powers and are used in some clinics where patients improve their mental health through painting and where the music of composers like Bach is used to reduce stress."


It is encouraging to see more universities and medical schools incorporating the arts and humanities into health programming. At this blog, "Arts and Health Crossing Borders", you will read many posts and stories about progressive programming at the intersections of the arts and medicine/health currently underway across the country. I was pleased to read this article in the Toronto Star. Such news is an indicator that the work continues to gain momentum.

CM


For full article read more at:
http://www.thestar.com/article/438989

Tuesday, February 19, 2008

Medicine and Classics Sponsored by Schulich School of Medicine and Dentistry, University of Western Ontario

Medicine and Classics
Ancient History for the Medically Minded
Four Wednesdays, March 5, 12, 19, 26, 2008

7:00 p.m. - 8:30 p.m.
Martha Bishop Room, Landon Library, London, Ontario
Free Admission
The Department of Classical Studies
The University of Western Ontario and the Landon Branch of the London Public Library
The public will have an opportunity to discuss selected aspects of ancient Greek culture with both a Classics Professor and a Professor from medicine.

March 5
The Great Plague of Athens and Pandemic Planning
March 12
Let the Games Begin: Training for the Ancient Olympics
March 19
Images of Mental Illness
March 26
Wandering Wombs and Prometheus' Immortal Liver:
Ancient Greek Views on Anatomy and Physiology
For more information:
see Schulich School of Medicine and Dentistry

Monday, January 7, 2008

A Historical Context for Arts and Health in Canada


Use of the Arts in Medical and Health Professional Education

Article Offers A Historical Context for Arts and Health in Canada

Pamela Brett-MacLean, Ph.D. (C) Co-Director, Arts and Humanities in Health and Medicine Program, Faculty of Medicine and Dentistry, University of Alberta, recently published a comprehensive and concise historical overview of the use of the arts in medical and healthcare education in Canada in "The University of Alberta Health Sciences Journal", September, 2007, Volume 4 :
http://www.uahsj.ualberta.ca/files/Issues/4-1/pdf/26.pdf

Reporting chronologically on the history of the arts and health and medical humanities education in Canada , while describing progressive programs in Canada currently underway, this article is highly recommended reading for anyone interested in the medical humanities and arts in action and practice in education, health and training in Canada and internationally.
Following the article there is a reference section which includes articles and resources and other examples of the use of arts in health professional education in the literary arts, visual arts, performing arts, music and film.

In the discussion section, CCAHTE, Canadian Creative Arts in Health, Training and Education Journal, is reported as offering new interconnections between art, health and medicine in Canada.

The September issue of "The University of Alberta Health Science Journal" also published several other articles related to arts and health. You can access the complete issue free at:
http://www.uahsj.ualberta.ca/files/Issues/4-1/pdf/vol4issue1.pdf



Special congratulations to Pamela for starting a new column in The University of Alberta Health Sciences Journal called MUSA, "Arts Humanities in Health and Medicine"...


"This article has focused on the many ways in which artists and the arts contribute to education, as well as the life and culture in Canada. It underscores the expansive synergy that exists between the arts, culture, health and wellbeing. In doing so, this article underscores the need to broaden an understanding of the benefits of the arts beyond K-12 education, through to post-secondary educational experiences and in particular the education of health professionals."
P. Brett-MacLean

Wednesday, January 2, 2008

Association for Medical Humanities UK Meeting "Creative Space Arts, Humanities and Healthcare"

Creative Space

Arts, Humanities and Healthcare

Fifth Annual Meeting

of the Association for Medical Humanities UK

University of Glasgow

8 - 9 July 2008


Call for Papers

The Fifth Annual Meeting of the Association for Medical Humanities UK (AMH) will be held in Glasgow on the 8th and 9th of July 2008. There will be a pre-conference event on the evening of the 7th of July. The meeting will consist of invited plenary lectures, seminars and free presentations in parallel sessions.

We invite presentations on all aspects of medical humanities including:


• Visual Arts and Medicine,

• Arts in the Practice of Medicine,

• Literature and Medicine,

• Art Architecture and Design in Healthcare,

• Music and Drama

• Medical Humanities in Undergraduate and Postgraduate Curricula

• Medical Professionalism.

The leading themes of the meeting will be Visual Arts and Medicine and Arts Architecture and Design in Healthcare.

Abstracts (maximum 250 words in length) should be submitted electronically to Sheila LeVin at slv1h@clinmed.gla.ac.uk.


Deadline for submissions is 31 January 2008.


Monday, November 19, 2007

Public Health and Social Justice New Website Offers Accessible Articles, Slide Shows, Resources

From Martin Donohoe MD, FACP:

I have recently developed a website covering public health and social justice, which can be found at http://www.phsj.org/ or at http://www.publichealthandsocialjustice.org/.

This website contains articles, slide shows, syllabi, and other documents relevant to topics in public health and social justice. References for most of the information contained in the slide shows can be found in the accompanying articles. Presentations will be updated a few times per year.

The site is aimed at students, educators, and the general public. It grew out of my recognition that medical, and even nursing and public health schools tend to inadequately address the social, economic, environmental, human rights, and cultural contributors to health and disease. Some of the content focuses on the medical humanities and the history of medicine, long-standing passions of mine.

Feel free to use information from the articles and slide shows, indeed even the slides themselves, with appropriate citation. It is my hope that this information can be disseminated widely, influencing current and future generations of health professionals and others concerned about creating a more just and peaceful world.

I am hoping to add other syllabi and articles from the many talented individuals working in this area. Please email me any articles and/or slide shows you would be willing to share, along with comments, corrections, and suggestions re my content.

My goal is to create an on-line clearinghouse for information and curricular materials re public health and social justice, and eventually to develop an annual, week-long colloquium/training, run by experts in their fields, for health professionals, students, and others interested in becoming social justice advocates.

Martin Donohoe, MD, FACP
martindonohoe@phsj.org

We were pleased to receive this general notice from Dr. Martin Donohoe who tells us he enjoys reading the CCAHTE Journal and has recommended it to colleagues.

Martin Donohoe MD, FACP is an adjunct lecturer in the Department of Community Health at Portland State University and a hospitalist at Kaiser Permanente Sunnyside Hospital. He serves on the Board of Advisors of Oregon Physicians for Social Responsibility (PSR) and is Chief Scientific Advisor to Oregon PSR’s Campaign for Safe Foods.

His site is comprehensive and well designed, a generous sharing of information and knowledge about critical health and social issues such as pharmaceutical ethics, physician drug testing, food safety, homelessness, homosexuality and human rights. Accessible slides, presentations, articles...

Highly recommended, check out the website at http://phsj.org/

CM

Friday, October 26, 2007


Stories by William Carlos Williams featured in Reader's Theatre
Arts and Humanities in Health and Medicine Program

Faculty of Medicine and Dentistry, University of Alberta



Medical Readers’ Theater promotes discussion of issues related to the doctor/ patient relationship, and social, ethical, and other humanities-based aspects of medicine.

Upcoming Performance:

A Face of Stone
By William Carlos Williams (1883-1963)

Cast of Characters:
Narrator: Dr. Lisa Steblecki
Doctor: Dr. Ron Damant
Man: Peter Gill (Med 2010)
Woman: Sangeeta Jain (Class 2010)

Discussion Leader:
Dr. Verna Yiu



Tuesday, October 30, 2007
4:00 – 5:00 pm
Classroom D, 2F1.04 WMC

All are welcome!!!!

William Carlos Williams, a world-renowned poet (many will know his famous poem, "The Red Wheelbarrow"), also practiced medicine for 50 years among the working-class citizens of Rutherford, New Jersey, and wrote a number of short stories that used his experience in medicine to explore the lives of physicians and their patients. In this play a physician takes an instant dislike to a young immigrant couple who bring their infant to the office for a checkup. The story tracks the evolution of this initially poor physician/ patient relationship.
Many thanks to Todd L. Savitt, author of "Medical Readers' Theatre: A Guide and Scripts," for sharing his experiences of coordinating the East Carolina University's Medical Readers' Theatre Program with us.

Pamela Brett-MacLean, PhD
Co-Director, Arts & Humanities in Health & Medicine Program
Faculty of Medicine and Dentistry,
2-74 Zeidler Ledcor CentreEdmonton, AB Canada T6G 2X8Tel: (780) 492-0980 / Fax: (780) 492-5487 / Cell: (780) 708-3133
http://www.med.ualberta.ca/education/ahhm.cfm

... we need the arts to "absorb the new knowledge of the sciences and assimilate it to human needs, color it with human passions, transform it into the blood and bone of human nature." (... from Percy Bysshe Shelley's "Defense of Poetry")

Sunday, October 21, 2007

Performing Stories About Aging, Mental Health and Autonomy



Cheryl McLean ,Editor, Publisher, International Journal of The Creative Arts in Interdisciplinary Practice IJCAIP
Editor, "Creative Arts in Interdisciplinary Practice, Inquiries for Hope and Change"

With a degree in the Social Sciences from The University of Western Ontario, London, Cheryl McLean worked for close to twenty years in publishing, corporate communications and adult education. She also had an ongoing interest in the performing arts producing and directing regional theatre in Ontario. Returning to graduate school at Concordia University, Montreal, she worked for two years (01 - 03) as a researcher and group therapist conducting group sessions with older persons at Maimonides Geriatric Hospital and The Rene Cassin Institute of Social Gerontology of Quebec "Over 60 Mental Health Program".

To help raise awareness about issues related to aging, mental health and autonomy, as her thesis presentation, she wrote and acted in a one woman performance called "Remember Me for Birds" based on this research and these experiences.

This work in its early stages had been influenced in field work by therapeutic approaches drawing from theoretical models and techniques utilized in current approaches in drama and expressive group work and drama therapy (Current Approaches in Drama Therapy, 2000), theatre for social change, Augusto Boal, (Theatre of the Oppressed) drama with special populations..realism and Stanislavski influenced acting approaches while working in projects for two years under the direction of Dr. Muriel Gold (Therapy Through Drama: The Fictional Family,2000) and, later, qualitative/narrative and performative approaches, writings by Dr. Norman K. Denzin, (Performance Ethnography, Critical Pedagogy and the Politics of Culture, 2003) and developments in the emerging playwriting and research performance genre, ethnodrama, Johnny Saldana, (Ethnodrama An Anthology of Reality Theatre, 2005).

Working with her Jewish clients, some of them Holocaust survivors, Cheryl had an opportunity to help individuals express their stories (through storytelling, poetry, enactments, other dramatic and expressive methods as well as through one on one interviews). These accounts became the basis for a performance script as did transcripts, oral histories, witness accounts, historical material, topical news stories and current events taking place in Montreal at the time. ( The real names of participants were not used, nor were locations mentioned. In some cases compilation characters were created to protect identities but the authenticity of the stories remained.)

"There is a paternalism with regard to "the elderly" (older persons). This often results in their autonomy being assumed to be less than it is or taken away against their will. I learned I am inappropriately detached from people. I attended because I was curious and I am glad I came. I learned about others but it (the performance) taught me about myself." Researcher, Elder Abuse

The original 30 minute performance was directed by Dr. Muriel Gold , formerly Artistic Director of the Saidye Bronfman Theatre, Montreal. Cheryl had a special opportunity while in Montreal to work as an actor with Muriel in projects for two years studying acting.. (Stanislavski influenced approaches/realism) and training approaches. On April 14, 2003, a solo performance was held for social workers and clinicians at The Rene Cassin Institute of Social Gerontology. Over the next two years following the original performance, the work as an "ethnodrama" advanced through several development phases as more personal and historical narratives were added, as well as written contributions from professionals who worked in aging and health, for example, an audio taped narrative written by a nurse (herself 76 years old) who had directly experienced work with the aged in mental health and palliative care settings.

See video clip

In later performances symbol and metaphor became more important and objects were presented in a "collaged" back drop drawing on significant items identified on site and from true stories. These objects along with news items etc. were used to visually juxtapose and contrast concepts and ideas from past and present.


The research performance in its final form had evolved to become a full one hour ethnodrama. (For more on this genre see, Saldana, J., Ethnodrama An Anthology of Reality Theatre, AltaMira Press) Acting solo in multiple roles, as well as performing personal narratives, Cheryl presented "Remember Me for Birds" for hundreds of academics, healthcare professionals and students at universities, health organizations, medical schools and national conferences in Canada and the U.S.

In follow up discussions and through feedback questionnaires, many audience members commented on the authenticity of what they experienced as witnesses to the stories in the ethnodrama with reflective comments about the value of such work in helping to "re-illuminate" the importance of re/membering the "patient" or "client" as a person with a life, a past history and a unique story.

"Remember Me for Birds" was featured in May 2005 as the keynote performance at The Canadian Association of Schools of Social Work Conference held in conjunction with The Congress of the Humanities and Social Sciences at The University of Western Ontario, London and later that year for the McGill Interdisciplinary Geriatric Seminar, McGill Medical School, Montreal.

The performance was produced independently as an educational film in 2007.

See a video clip from the performance "Remember Me for Birds"

____________________

"Ethnotheatre employs the traditional craft and artistic techniques of theatre production to mount for an audience a live performance event of research participants' experiences and/or the researcher's interpretations of data. This research..meaning to investigate, in its broadest sense, can be conducted by artists, scholars or even by the participants themselves in such diverse fields of study as sociology, anthropology, psychology, education, health care, women's studies, justice studies, ethnic studies, cultural studies, political science, journalism, human communication, performance studies and theatre. The goal is to investigate a particular facet of the human condition for the purposes of adapting those observations and insights into a performance medium..."
Johnny Saldana, from "Ethnodrama: An Anthology of Reality Theatre, AltaMira Press, 2005, (pp. l-2)

"Ethnoperformances are postmodern often building a type of narrative collage that critiques culture. Speakers can "leap forward and backward in time" from present to past, presenting real news accounts against dramatic historic enactments of the past, using poems, monologues, dialogues, voice-overs and interior streams of consciousness."
Norman K. Denzin, from "Performance Ethnography, Critical Pedagogy and the Politics of Culture", Sage Publications, Thousand Oaks, California, 2003.

_______________

References:

Boal, Augusto, "Theatre of the Oppressed", Pluto Press, London, 1979.

Denzin, Norman K., "Performance Ethnography, Critical Pedagogy and the Politics of Culture", Sage Publications, Thousand Oaks, California, 2003.


"Current Approaches in Drama Therapy", Penny Lewis, David Read Johnson Editors, Charles C. Thomas Publisher, Springfield, 2000.

Gold, Muriel, "Therapy through Drama The Fictional Family", Charles C. Thomas, Springfield, Illinois, 2000.

Saldana, Johnny, "Ethnodrama An Anthology of Reality Theatre", AltaMira Press, 2005.


Other references creative arts interdisciplinary practice:

"Creative Arts in Interdisciplinary Practice, Inquiries for Hope and Change", Cheryl McLean, Editor,
Robert Kelly, Associate Editor, Detselig/Temeron Books, Calgary (in process for release 2010) see website:
http://creativeartpractice.blogspot.com/2009/05/available-in-2010-published-by-detselig.html

International Journal of the Creative Arts in Interdisciplinary Practice, IJCAIP, Cheryl McLean, Editor/Publisher, open access peer reviewed international journal, website: http://www.ijcaip.com/


contact: CherylMcLean@ijcaip.com
posted July, 2009


Sunday, September 23, 2007

Creative Responses to Death and Bereavement, University of Western Ontario, Continuing Studies

Creative Arts Methodologies in Death and Bereavement Programming at University of Western Ontario, London, Ontario 2008
Cheryl McLean

Plans are currently underway to offer the University of Western Ontario course "Creative Responses to Death and Bereavement" on line by May 08 through The University of Western Ontario, Continuing Studies Dept. I will be working with UWO helping to adapt new programming and materials for the on line WEB CT OWL version of the program so that the course can be widely accessible and interactive for registrants who frequently include nurse educators, teachers, social workers, caregivers and others working in bereavement counselling and education.

For up-to-date information about this course and contact information:
http://ccahtecrossingborders.blogspot.com/2007/12/creative-responses-to-death-and.html

Monday, September 17, 2007

Creative Responses in Hospice and Palliative Care, Refresher Day London and Middlesex


A Refresher Day in Hospice Palliative Care for London, Middlesex
The London Palliative Care Committee
of special interest to family physicians, registered nurses, personal support workers, social workers, spiritual care providers, nurse practitioners, case managers, therapists, pharmacists, health care students



"Awakening the Senses...a Creative Response"



Wednesday, October 17, 2007



8:00 a.m. to 3:30 p.m.

to be held at

Stoneridge Inn, London, Ontario
Presenters:

"Living Stories of Hope and Change"

Cheryl McLean is Founder and Publisher of CCAHTE Journal, the Canadian based international and interdisciplinary peer reviewed open access journal of The Creative Arts in Health, Training and Education, accessible to subscribers worldwide and leading universities, medical schools and health organizations. She is a frequent lecturer and presenter at universities and health conferences speaking about progressive developments in the creative arts in research, action and practice in health, training and education and teaches the course "Creative Responses to Death and Bereavement" at The University of Western Ontario.


"Your Tree, My Tree..a Way of Being Together"

Wanda Sawicki

Wanda has a passion for spirit-filled living which expresses itself in art making, storytelling, writing and walking pilgrimage. A visual artist, she has a Canadian exhibition record dating from 1977. As an Art Therapist, with thirteen years experience, Wanda enjoys facilitating creative therapeutic expression in individuals and groups. She specializes in areas of acculturation, life losses and change and spirituality.


"People and Plants: Engaging the Mind"

Marilyn Cox

Marilyn is a horticulturist with an appreciation for the social, spiritual, physical and emotional aspects of gardening. She trained as a horticultural technician then pursued a degree in Sociology accompanied by certificates in Thanatology and Horticultural Therapy. She operates a nursery north of London and is an assistant for the Bereavement Ontario Network.

As a volunteer with hospice and by working with bereavement groups she has witnessed first hand the healing capacity of nature and gardening projects. Marilyn is involved with a network of horticultural therapists and bereavement professionals and is continually learning about the successes and pitfalls of incorporating horticultural therapy into programs for the dying and bereaved.
Information and inquiries about this event contact:
Ann Sabine
519-668-2997 Ext. 1453




Tuesday, August 7, 2007

Medical Humanities, Literature, Arts and Medicine Blog Launched NYU School of Medicine

We're glad here at the CCAHTE Journal BLOG "Crossing Borders" to hear about the new BLOG at NYU. Another important indication that the movement in arts and medicine continues to gain momentum across N.A. and internationally.
CM


New Blog launched in relation to Medical Humanities, Literature, Arts and Medicine Data Base, NYU School of Medicine

Yet another important indication... Movement in Arts and Medicine Continues to Gain Momentum in N.A. and Internationally


http://medhum.med.nyu.edu/blog/

the stated purpose (of the NYU blog) is "to promote communication and discussion among scholars, educators, and students working in interdisciplinary fields that utilize humanities, social sciences, and the arts to address current issues in medicine and bioscience . " In addition, the blog has a sidebar listing regional events of interest. Comments on posted commentaries can be submitted directly at the blog site.

http://medhum.med.nyu.edu/blog/
Info: http://litmed.med.nyu.edu/
Medical Humanities URL: http://medhum.med.nyu.edu/

Thursday, July 12, 2007

Medical Humanities and Ethics, University of Nevada School of Medicine Integrates Health, Humanism, Arts, History and Culture

Marin Gillis Directs New Medical Humanities and Ethics Program University of Nevada School of Medicine


We are very pleased today to introduce CCAHTE regional liaison, Dr. Marin Gillis,
originally from Saskatchewan, who is currently Director of Medical Humanities and Ethics, University of Nevada School of Medicine. Marin in her new post has launched some very progressive programs at UNSOM some which have integrated the arts into medical education and programming.


Dr. Marin Gillis is the new and first Director of Medical Humanities and Ethics at the University of Nevada School of Medicine (UNSOM). She was born and raised in Saskatchewan, followed a BA Hons in philosophy and history at the University of Ottawa, and holds two graduate degrees in philosophy, an L.Ph. from the Higher Institute of Philosophy, KU Leuven Belgium, and a Ph.D. from the University of Calgary.

At the University of Nevada School of Medicine, Marin has developed a Division with five sections:

1) Humanism, Professionalism and Ethics

2) Health and the Human Spirit

3) Arts in Medicine

4) History and Culture of Medicine

5) Narrative Medicine


She created the division by organizing teaching that was already taking place in medical courses, recruiting liberal arts professors to lecture, and developing longitudinal study in clinical ethics and narrative medicine (with capstone 4th year electives in each area). In other partnerships with the School of Fine Arts at UNR, the Reno medical and arts communities, and government funding agencies, she curates art exhibits at the Medical School Gallery and organizes and gives public lectures in medical humanities and ethics. The University of Nevada School of Medicine students hold a yearly art show and publish an annual literary arts journal called "The Stethoscope" which will be online by January 2008. Her academic fields of expertise are the ethics of medical biotechnologies and the scholarship of teaching and learning. She is a Steering Committee member of the Association of Feminist Ethics and Social Theory as well as a blogger at the Women’s Bioethics Project.

We welcome Marin Gillis as a CCAHTE regional liaison and look forward to our future connections as well as hearing more about The University of Nevada School of Medicine and upcoming work in Medical Humanities and Ethics.
C.M.


Other related links FYI

University of Nevada School of Medicine http://www.unr.edu/med/
Library/Medical History
http://www.unr.edu/med/hom.asp
Great Basin History of Medicine Photo Archive http://www.unr.edu/med/dept/hom/GBHOMPhotoArchive/about.html


Info:
Marin Gillis, LPh, PhD
mgillis@medicine.nevada.edu




Friday, May 11, 2007

Medicine and Arts, The Teachings of Opera in Health and Education




"If we accept the premise that medical practice occurs within a larger cultural context, then it is a short step to the realization that the larger cultural context is going to inform and influence the understanding of disease and those
who suffer from it-inside and outside medical circles-"






About "Medicine in/as Culture:
The Teachings of Opera"
by Michael Hutcheon MD ,
Linda Hutcheon, Ph.D.

Dr. Michael Hutcheon, Professor of Medicine and Deputy Physician-in-Chief for Education at the University Health Network and Linda Hutcheon Ph.D., Professor of English and Comparative Literature, work collaboratively across disciplines at the intersections of medicine and culture ..theirs is truly a marriage of medicine and the arts. In a recent article in CCAHTE Journal Michael and Linda Hutcheon wrote about opera and its potential applications in medical education.


"...opera offers medical insights not only through its revealing cultural representations. The actual experience of watching and listening to opera with its determined combination of verbal narrative, powerful music and dramatic performance is an intense one. Opera directly and movingly deals with themes ranging from the terror of death...to the longing for death (in Richard Wagner's Tristan and Isolde)..."

"..in educational terms studying this high impact kind of story in a medical setting not only teaches empathy and sympathy with the dying and the bereaved but is also helping those in the healing arts to come to terms with their own inevitable end."
"..our modern narratives of science and technology can only
go so far in teaching us about the death we must all finally face."

Quotes from the article Medicine in/as Culture,
The Teachings of Opera by Michael Hutcheon, MD and
Linda Hutcheon, Ph.D. , in CCAHTE Journal, March 07
Access complete March edition of CCAHTE
The Canadian Creative Arts in Health, Training and Education Journal at
http://www.cmclean.com




Michael and Linda Hutcheon have published a
number of articles and three books, Opera: Desire, Disease, Death,
Bodily Charm: Living Opera, and Opera: The Art of Dying
see website http://individual.utoronto.ca/hutcheons/books.html


Access the full article and complete CCAHTE Journal March 07 issue free at http://www.cmclean.com subscribe to CCAHTE journal free with an email ccahte@cmclean.com "please subscribe"

I thought you might appreciate watching and listening to this youtube video
Robert Alagna and Leontina Vaduva (La Boheme)
http://www.youtube.com/watch?v=eNSyvPN7EPQ

Richard Wagner's Tristan and Isolade (final scene, orchestra) with Leonard Bernstein conducting.

http://www.youtube.com/watch?v=6XlmJtnzwkY



"Few art forms are as thoroughly dependent as is tragic opera upon desire, suffering and death as narrative and emotional staples. The body..the live singing body...on stage gives voice to the drama of the suffering person."
Michael Hutcheon M.D. and Linda Hutcheon Ph.D.