Showing posts with label IJCAIP Board profiles. Show all posts
Showing posts with label IJCAIP Board profiles. Show all posts

Tuesday, April 17, 2012

IJCAIP Advisory Board Member, Johnny Saldana receives 2012 Outstanding Book Award from the American Educational Research Association


IJCAIP Press Release, April 17, 2012

"Ethnotheatre Research from Page to Stage" by Johnny Saldana Receives AERA Award

IJCAIP, Advisory Board member Johnny Saldana has been awarded the American Educational Research Association's Qualitative Research Special Interest Group (AERA QR SIG). award for his book "Ethnotheatre: Research from Page to Stage" (Left Coast Press, 2011).

Johnny Saldana is recognized as a leader in North America in qualitative approaches related to ethnotheatre or "ethnodrama". He is a professor of theatre at Arizona State University's School of Theatre and Film and author of "Longitudinal Qualitative Research: Analyzing Change Through Time" (AltaMira press, 2003); "Ethnodrama: An Anthology of Reality Theatre" (Alta Mira Press, 2005); "The Coding Manual for Qualitative Researchers" (Sage Publications, 2009) and "Fundamentals of Qualitative Research" (Oxford University Press, 2011).

I was pleased to receive a copy of this book a few months back and I have found it invaluable as a resource and as a teaching text that carefully explains ethnotheatre methodology with supportive examples and accompanying photographs. This book will represent a model for others who might wish to study methods for converting research data into transformative drama for social change.

I have included below a report about the book written by Kakali Bhattacharya, Chair of the AERA QR SIG Outstanding Book Award Committee:

“. . . the committee identified Johnny Saldana’s text Ethnotheatre: Research from page to stage as the winner of this award for several reasons. While we are at the political intersection of discourses suggesting what is and is not scientific inquiry, how qualitative research measures up to such reductive standards of scientific inquiry, it is far too easy to stay locked in a binary relationship of “us versus them” where qualitative researchers are continuously trapped in trying to legitimize their work.

Saldana opens up possibilities for qualitative inquiry, with guidelines and paths should the researcher resonate with them, to create legitimate spaces of discourse within and outside of qualitative inquiry instead of operating from a place of oppression and victimhood under the current accountability and audit culture. Saldana’s work invites researchers brand new to ethnodrama and experts returning to frame and reframe performance first and foremost as an art. His steadfast commitment to plays as an art form encourages his audience to engage data as that which can be transformed into embodied experience. His exercises and suggested readings leave a pragmatic trail for his readers to follow as they explore possible connections between the production of a play and voices in data. His frank discussions about the challenges of moving from intellectualized dialogue to character involvement demand that researchers reflect deeply on their commitments to epistemological beliefs and where they locate knowledge. For Saldana, knowledge construction is the transformation of research findings into a well-written script.

Often when researchers offer suggestions, guidelines and pathways to a methodology, such moves are seen to be prescriptive, perhaps reductive and restrictive to the vast possibilities within qualitative research. However, Saldana’s work should not be read as such. It takes an acutely insightful researcher, theorist, and a practitioner to be able to highlight one’s own process of developing a methodology of data collection, data analysis, and representation while maintaining a layered multiplicity to one’s work. Saldana is a gifted performer and thus lends an expert voice to ethnodrama. Even through such lending of an expert voice, Saldana opens up multiple possibilities of ethnodrama in qualitative inquiry. This text will continue to serve both students and practitioners of qualitative research in addition to being a text that many will return to for guidance, insights, and framing and reframing of their work. For these r
easons described, the Outstanding Book Award committee is proud to announce Johnny Saldana’s text Ethnotheatre: Research from page to stage as the winner this year.”





IJCAIP Advisory Board Profiles: Nick Nissley



Nick Nissley, Ed.D.
Dean of Business, Cincinatti State,

IJCAIP Advisory Board Member Nick Nissley, EdD, is currently Dean of Business, Cincinatti State. In his leadership role, in one of his many projects, he is collaborating with Cincinnati’s Contemporary Arts Center, to convene and host a community gathering along with select arts-based learning facilitators, to explore through a ‘Conversation CafĂ©’-like methodology (that also incorporates the CAC space/arts/exhibits), how the CAC might shape a future 'offering' to the community (e.g., position itself as a 'front porch' of the city - a 'commons space' – that enables arts-inspired dialogues, in service of imaginative possibilities). This project, being initiated by the CAC’s forward thinking leader, Raphaela Platow, will position the Contemporary Arts Center as: a space for reflection and dialogue, where the public can engage with artists, scholars, and each other around contemporary issues … remaining the place where opportunity transcends boundaries … an open cultural forum where people gather to gain exposure to new ideas and where art is a means for people to connect to each other and to the world outside.

Nick also invited singer/song writer Barbara McAfee (recent author of Full Voice: The Art and Practice of Vocal Presence) into the College following a painful strike, engaging the arts as a vehicle for healing. Nissley reports, “Together we practiced giving voice to what we care about, as well as simply listening to one another, and experiencing the joy of being heard."

Dr. Nissley is also recognized for his pioneering work internationally in the practice of arts-based learning in management education and leadership development. He was formerly The Executive Director, Leadership Development at the Banff Centre, Alberta. Under Nissley’s skilled leadership, The Banff Centre’s public programs, customized offerings, and Aboriginal programs developed a world-wide reputation for inspiring creativity in leaders from many disciplines.

Nick Nissley is an accomplished academic whose formal education includes a Doctorate in Education from George Washington University, in Washington, D.C., and an undergraduate degree in geology and mineralogy from Ohio State University. He has been a professor in the department of organization learning and development at the University of St. Thomas in Minneapolis, where he served as co-chair, department of organization learning and development, and program director for the master’s program in human resource development. Nissley has also held affiliations with the College of Business, Management Center, and Center for Nonprofit Management at the University of St. Thomas. While in academia, he consulted and presented to a variety of client organizations, including schools, government, for-profit, non-profit, and faith-based communities, local, regional, national, and international audiences.

At the center of Nick Nissley's research is applied imagination – helping individuals, organizations, and communities transform themselves through learning as they confront real-world challenges.


Over the past 10
years, Nick has helped define the field of arts based learning in management education. Story and narrative in the workplace is a special interest. In a recent article in "Issues and Observations" Nick Nissley writes, "the business world in recent years has shown increasing interest in the narrative lens and more specifically in the relationship between leadership storytelling and organizational change."

“In these times of economic distress, we should take a lesson from the pages of our history books – economic adversity can inspire extraordinary innovation, if we choose to engage the arts as enablers of business creativity.”

Nick Nissley, Journal of Business Strategy

Nick Nissley's interests in the arts, education, environment, and social service has led him, over the past fifteen years, to serve on the boards of organizations including: Editorial Advisory Board for Aesthesis: International Journal of Art and Aesthetics in Management and Organizational Life; Editorial Review Board for The Journal of Management and Organisation (Special Issue: Re-Conceiving the Artful in Management Development and Education); the Arts and Business Council’s Creativity Connection National Advisory Board in New York City; Minneapolis’s Springboard for the Arts; the Minnesota Association for Continuing Adult Education; the Hershey Museum in Hershey, Pennsylvania; Duquesne University’s Capital Region Campus Advisory Board; and, presently in his home of Banff, he serves on the Board of Directors for Banff’s Mineral Springs Hospital and the Whyte Museum of The Canadian Rockies, as well as the Canadian Rockies Public Schools’ Futures Planning Advisory Board.

As an artist, Nick has also performed semi-professionally with Playback Theatre working as an actor on stages in Canada, Denver, London, and Krakow. He continues to engage with Playback Theatre, serving on the International Centre for Playback Theatre’s Strategic Action Plan Steering Committee.

Monday, April 16, 2012

IJCAIP Advisory Board member, Robert Kelly keynote speaker at Creative Teaching and Learning Conference, Dalhousie



We are pleased to announce IJCAIP Advisory Board member Dr. Robert Kelly who acted as associate editor on our CAIP Research Series, will be featured as a keynote speaker at the upcoming Creative Teaching and Learning Conference at Dalhousie University, May 2, 2012. We have attached the announcement below:

Keynote Speaker

May 2, 2012

Dalhousie University is delighted to welcome artist and educator Robert Kelly as the keynote speaker for the 2012 Dalhousie Conference on University Teaching and Learning.


Robert Kelly, Ph.D.,
University of Calgary

Educating for Creativity


Educational environments that value collaborative creative practice, design thinking and intrinsic motivation balanced with discipline competency have become an imperative for passionate, sustainable and engaging educational cultures of the future.

This keynote presentation will explore how an educational culture of creativity can be implemented across the educational spectrum. This presentation will include Robert Kelly's new research and ideas on creative development in this field from his latest volume Educating for Creativity ( in press) including numerous profiles of schools from around the world where creativity is a primary rationale for education. The vocabulary and principles of creativity theory and creative development will be explored as well as is the nature and dynamic of idea generation and evolution. Strategies for assessing creative development will also be discussed.

How do we as educators develop our own creative maturity to enable educational environments conducive to creative development? Take a journey around the globe from the Kaospilots in Denmark to Stanford's D School while exploring the nuts and bolts of how to bring the concept of creativity into daily educational practice. Bring your ideas and a sense of humour while we explore the notion of teaching and learning creatively and more importantly the concept of learning to create.

Biography

Educator and artist Robert Kelly is an associate professor in the Faculty of Arts and an adjunct associate professor in the Faculty of Education at the University of Calgary in Alberta, Canada. His research is focused on developing a comprehensive approach to developing an educational culture of creativity that ranges from examining educational practice from around the globe to transforming curriculum design and teacher education and practice. His recent book Creative Expression, Creative Education: Creativity as a Primary Rationale for Education and his new volumes Educating for Creativity (in press) and Creative Journey: Developing Personal and Professional Creativity (June, 2013) span the breadth of his research focused on transforming educational culture. He is also associate editor for two research volumes from the International Journal of Creative Arts in Interdisciplinary Practice CAIP research series entitled "Creative Arts in Interdisciplinary Practice Inquiries for Hope and Change" (2010) and "Creative Arts in Research for Community and Cultural Change" (2011).

Robert has pioneered new programs in teacher education focused on creativity in educational practice. These programs debut across western Canada in the summer of 2012 in the new Interdisciplinary Masters of Education program at the University of Calgary, the Summer Institute of Creativity in Educational Practice at the University of Manitoba and the Summer Institute in Education: Creativity at the University of British Columbia - Okanagan. These programs engage educators in first hand creative development. These exciting, new initiatives establish a clear vocabulary and understanding of creative development strands that lead to creative maturity through writing creatively, creating across the discipline spectrum, design thinking and designing educational spaces for creativity in educational practice.

As artist, his conceptual Minutia installation, currently working its way across Canada and now showing at Dalhousie Art Gallery as part of the “Unbound” enhibition,consists of eleven books of concrete poetry on lecterns, based on the sentence fragment “the first time I heard the sound of a page turning.” His other bodies of work include his intensely painted Concept of Raven series and his latest outdoor installation, The White Noise Project.

Robert has received several awards for teaching excellence and is featured on the University of Calgary's Great Teachers website. He has done numerous keynote presentations, lectures and workshops on the various dimensions of the concept of creativity across Canada and internationally and is known for his insightful, humorous anecdotes from his life as a career educator, designer and artist.

Monday, March 19, 2012

IJCAIP Advisory Board Profiles: George Belliveau


George Belliveau Ph.D., Associate Professor,
LLED, Language and Literacy Education

University of British Columbia

Areas of Research

Drama Education
Arts Education
Drama and Social Justice
Teacher Education
Canadian Drama
Ethnodrama, Performed Research
Drama and/in Second Language Learning

Current Research Projects

Exploring the Potential of Research-Based Theatre in the Field of Education: Humanities and Social Sciences Large Research Grant. Principal Investigator: George Belliveau.

Exploring the Transformational Potential of Arts-Based Research: Theory, Method and Practice: Canada Institute of Health Research. Principal Investigator: Katherine Boydell; Co-investigator: George Belliveau, Bill Leeming, Kate Tilleczek.

Arts-Based Methods in Health Research: Peter Wall Institute for Advanced Studies. Principal Investigator: Sue Cox; Co-investigator: George Belliveau.

Becoming Pedagogical through A/r/tography in Teacher Education: Social Sciences and Humanities Research Council of Canada, May, 2008-May, 2011. Principal Investigator: Rita Irwin; Co-investigators: George Belliveau, Peter Gouzouasis, Carl Leggo, Donal O'Donoghue; Stepanie Springgay.

Addressing the Role of the Bystander through Drama in Bullying Situations: Social Sciences and Humanities Research Council of Canada, May, 2007-May, 2010. Principal Investigator: George Belliveau; Co-investigator: Shelley Hymel.

Assessing Ethnotheatre as a Form of Educational Research: Humanities and Social Science Small Research Grant. Mar, 2007-Apr, 2008. Principal Investigator: George Belliveau.

Say Peace: Vancouver Foundation, Nov, 2006-Jun, 2007. Principal Investigator: Heather Duff: George Belliveau (collaborator).

Refereed Journal Publications

Carter, M., Beare, D., Belliveau, G. & R. Irwin. (In Press). A/r/tography as pedagogy: A promise without guarantee. The Canadian Review of Art Education 38, 1-15.

Shira, A & Belliveau, G. (In Press). Discovering the role(s) of a drama researcher: Outsider, bystander, mysterious observer. Youth Theatre Journal 26(1).

Belliveau, G. (2012). Shakespeare and Literacy: A Case Study in a Primary Classroom. Journal of Social Sciences, 8(2), 170-177.

Beck, J., G. Belliveau, A. Wager & G.W. Lea. (2011). Delineating a spectrum of research-based theatre. Qualitative Inquiry, 17(8), 687-700.

Lea, G. W., G. Belliveau, J. Beck & A. Wager. (2011). A loud silence:weaving research-based theatre and a/r/tography. International Journal of Education and the Arts, 12(16). http://www.ijea.org/v12n16

MacKenzie, D. & G. Belliveau. (2011). The playwright in research-bases theatre. Canadian Journal of Practice-based Research, 3(1) http://cjprt.uwinnipeg.ca/index.php/cjprt/article/viewFile/30/19

MacKenzie, D., G. Belliveau, J. Beck, G.W. Lea, & A. Wager. (2011). Naming the Shadows: Theatre as Research. Canadian Journal of Practice-based Research, 3(1) http://cjprt.uwinnipeg.ca/index.php/cjprt/article/viewFile/29/18

White, V., & Belliveau, G. (2011). Multiple perspectives, loyalties and identities: Exploring intrapersonal spaces through research-based theatre. International Journal of Qualitative Studies in Education, 24(2), 227-238.

White, V., & Belliveau, G. (2010). Whose story is it anyway? Exploring ethical dilemmas in performed research. Performing Ethos International Research Journal, 1(1), 85-95.

Belliveau, George and Vince White. (2010). Performer and audience responses to ethnotheatre: Exploring conflict and social justice. ArtsPraxis Research Journal, 2, 22-36. http://steinhardt.nyu.edu/music/artspraxis/2/responses_to_ethnotheatre

Wager, Amanda, George Belliveau, Graham Lea and Jaime Beck. (2009). Exploring Drama as an Additional Language through research-based theatre. International Journal for Drama and Theatre in Foreign and Second Language Education, 3(2). http://publish.ucc.ie/scenario/2009/02/wagerbelliveau/04/en

Winters, Kari and Belliveau, George. (2009). Shifting identities and literacy: An a/rt/ographic examination of an educational theatre company. Language & Literacy, 11(1). http://www.langandlit.ualberta.ca/Spring2009/Winters.htm

Belliveau, George. (2009). Elementary students and Shakespeare: Inspiring community and learning. International Journal of the Arts in Society, 4(2), 1-8.

Belliveau, George. (2008). You didn't do anything: A research play on bullying. Educational Insights 12.2. http://ccfi.educ.ubc.ca/publication/insights/v12n02/articles/belliveau/index.html

Belliveau, George. (2008). Theatre and bullying: Increasing awareness about bullying and victimization. In S.Hymel, S. Swearer & P. Gillette (Eds.), Bullying at School and Online. http://www.education.com/reference/article/Ref_Theatre_Bullying/

Belliveau, George, Carmen Medina and Gus Weltsek. (2008). Reflective practices in drama teacher preparation. Theatre Research in Canada, 28(2), 130-143.

Gouzouasis, Peter, Julia Henry and George Belliveau. (2008). Turning points: A transitional story of grade seven music students’ participation in high school band programmes. Music Education Research, 10(1), 75-89.

Belliveau, George. (2007). An alternative model for teaching and learning. Canadian Journal of Education, 30(1), 47-67.

Belliveau, George, David Beare. (2007). Theatre for Positive Youth Development: A Model for Collaborative Play-Creating.Applied Theatre Researcher Vol. 7. http://www.griffith.edu.au/__data/assets/pdf_file/0008/52892/04-beare-belliveau-final.pdf

Belliveau, George with Josh Weale and Graham Lea. (2007). TheaterPEI: The emergence and development of a local theatre. Theatre Research in Canada, 26(1), 64-81.

Bournot-Trites, Monique, George Belliveau, Jérémie Séror, Valia Spiliotopoulos. (2007). The role of drama on cultural sensitivity, motivation and literacy in a second language context, Learning through the Arts Research Journal, 3.1.http://repositories.cdlib.org/clta/lta/vol3/iss1/art9

Belliveau, George. (2007). Ça bouge: Le théâtre de Moncton Sable. Theatre Research in Canada, 26(2), 114-129.

Belliveau, George. (2007). Dramatizing the data: An ethnodramatic exploration of a playbuilding process. Arts & Learning Research Journal, 23(1), 31-51.

Ryan, Dan, Jan Giles, George Belliveau and Elizabeth de Freitas. (2006). The effect of teaching style on learning and retention in a quantitative course. Active Learning in Higher Education, 7(3), 213 - 225.

Belliveau, George. (2006). Using drama to achieve social justice: Anti-bullying project in elementary schools. Universal Mosaic of Drama and Theatre - IDEA Publications, 5, 325 - 336.

Belliveau, George. (2006). Collective playbuilding: Using arts-based research to understand a social justice drama process in teacher education. International Journal of Education & the Arts, 7(5). http://ijea.org/v7n5/index.html

Belliveau, George. (2006). Performed research: Exploring an anti-bullying drama project in teacher education. Creative Arts in Health, Training and Education Research Journal, June 2, 9-11.

Belliveau, George. (2005). An arts-based approach to teach social justice: Drama as a way to address bullying in schools. International Journal of Arts Education, 3, 136 - 165.

Belliveau, George. (2005). An arts-based approach to teach social justice: Drama as a way to address bullying in schools (Mandarin Translation). International Journal of Arts Education, 3, 166 - 189.

Belliveau, George. (2005). Mining and community: Using the arts as a way of knowing. English Quarterly, 37(1), 1 - 7.

Belliveau, George. (2004). Managing to keep going ... Drama Education on Prince Edward Island. Canadian Drama Mosaic, 26 - 29.

Belliveau, George. (2004). Exploring Acadian History using arts-based teaching. Port Acadie, 5, 25 - 38.

Belliveau, George. (2004). Pre-service teachers engage in Collective Drama. English Quarterly, 35(3), 1 - 6.

Belliveau, George. (2003). Daddy on trial: Sharon Pollock’s New Brunswick plays. Theatre Research in Canada, 22(2), 161 - 172.

Belliveau, George. (2003). Remembering our past: Investigating British Columbia's history in The Komagata Maru Incident and The Hope Slide. B.C. Studies, 137, 93 - 106.

Belliveau, George. (2003). Les Arts Dramatiques pour étudier la Déportation Acadienne en Immersion Française. Canadian Modern Language Review, 59(3), 441 - 453.

Belliveau, George. (2002). Glace Bay to Hollywood: A political journey. Theatre Research in Canada, 22(1), 46 - 57.

Refereed Books

Fels, Lynn and George Belliveau. (2008). Exploring curriculum: performative inquiry, role drama and learning. Vancouver, British Columbia: Pacific Education Press.

Refereed Book Chapters

Belliveau, G. (In Press). Engaging secondary students through drama. English in Middle and Secondary Classrooms: Creative and Critical Advice from Canada’s Teacher Educators. Eds. C. Leggo, K. James, T. Dobson. Pearson Educational Press.

Prendergast, M. & G. Belliveau. (In Press) Poetics and Performance. In A. Trainor & E. Graue (Eds.), Publishing qualitative research in the social science. Routledge Publishing.

Belliveau, G., & Lea, G. (2011) Research-based theatre in education. In S. Schonmann (Ed.), Key concepts in theatre drama education. Sense Publishers. (pp. 332-38)

Webber, T. (2), Belliveau, G., & Lea, G. (2). (2010). Hope and identity in the high school musical: Insights into the life of a hard of hearing student. In C. McLean & R. Kelly (Eds.), Creative arts in interdisciplinary practice, inquiries for hope and change (pp. 267-284). Temeron Books.

Belliveau, G., & Lea, G. (2). (2010). TheaterPEI: The emergence and development of a local theatre. In L. Burnett (Ed.), Theatre in Atlantic Canada: Critical perspectives on Canadian theatre in English (pp.146-159). Toronto: Playwrights Canada Press.

Belliveau, G., & Beare, D. (2008). Dialoguing scripted data. Being with A/r/tography. Ed. Stepanie Springgay, Rita Irwin, Carl Leggo and Peter Gouzouasis. Sense Publishers: 141-152.

Belliveau, G. (2002). Paul Ledoux' Anne: A journey from page to stage. Making Avonlea: L.M. Montgomery and Popular Culture. Ed. Irene Gammel. U Toronto Press: 201 - 215.

Non-Refereed Journal Publications

Belliveau, George, Vince White. (2008). It’s elementary! Learning and building community through Shakespeare. Proceedings Hawaii International Conference on Education. (2008): 806-817.

Belliveau, George and Graham Lea. (2006). PEI's Victoria Playhouse: Looking back, looking forward. Canadian Theatre Review, 128, 26 - 31.

Belliveau, George. (2006). Liveness in the Okanagan: Caravan Farm Theatre. Canadian Theatre Review, 127, 85 - 86.

Belliveau, George. (2005). Drama in the Maritimes: Tides (plays) are strong. Canadian Theatre Review, 122, 90 - 94.

Belliveau, George. (2004). Struggle to success: Collective drama on Anti-Bullying. Canadian Theatre Review, 117, 42 - 44.


Sunday, March 18, 2012

IJCAIP Advisory Board Profiles: Lubomir Popov


Lubomir Popov, Ph.D.,

Associate Professor

School of Family and Consumer Sciences

Bowling Green State University, Bowling Green, Ohio, U.S.A.

Lubomir Popov is an Associate Professor in the Interior Design Program at Bowling Green State University. He is also an affiliated faculty with the American Culture Studies Program. Lubomir holds degrees in architecture (M.Arch, PhD) and sociology (PhD). His main research interest is in sociocultural issues of architecture, focusing on building users and their culture. He applies this knowledge in the field facilities programming. Lubomir has a number of other research interests that support his main pursuits.

Dr. Popov works with qualitative research methods, most often from a symbolic interactionist perspective. He is interested in emerging qualitative methods and epistemologies in design research, such as autoethnography and performance ethnography. He has worked for a decade with social philosophers and philosophers of science and keeps his interest in epistemological and methodological issues. Lubomir also uses critical theory perspectives. As a sociologist, he considers himself a member of the humanistic sociology community. As an architect, he is interested in conceptual design, vanguard design developments, futuristic design, installations, and various approaches to fusing architecture and the arts.

Dr. Popov has authored three monographs on architectural programming, the culture of architectural programming clients, and architecture student culture. He has published 26 refereed articles and has delivered over a hundred refereed conference presentations. Lubomir continues his projects on facilities programming, user behavior, and user culture. His epistemological and methodological pursuits include topics on experiential knowledge and practice wisdom.

Dr. Popov is a Fellow of Design Research Society (DRS) (UK), Board member of Association for Applied and Clinical Sociology (USA), Member of the organizing committee of the Experiential Knowledge Special Interest Group (EKSIG) with DRS. He is also on the International Congress for Qualitative Inquiry Collaborating Sites Steering Committee, as well as a Member Scholar, International Institute for Qualitative Methodology, University of Alberta, Edmonton, Canada. Lubomir is a member of Environmental Design Research Association and a co-chair of the Programming/POE Network.

Thursday, March 15, 2012

IJCAIP Advisory Board Profiles: Johnny Saldaña


Johnny Saldaña, Professor of Theatre

Herberger Institute for Design and Arts’ School

of Theatre and Film, Arizona State University (ASU)


Johnny Saldaña is a Professor of Theatre in the Herberger Institute for Design and the Arts' School of Theatre and Film at Arizona State University (ASU) where he has taught since 1981. He has been involved in the field of theatre education as a teacher educator, drama specialist, director, and researcher.

Mr. Saldaña is the author of Drama of Color: Improvisation with Multiethnic Folklore (Heinemann, 1995), a teacher's resource text and recipient of the 1996 Distinguished Book Award from the American Alliance for Theatre & Education (AATE); Longitudinal Qualitative Research: Analyzing Change Through Time (AltaMira Press, 2003), a research methods book and recipient of the 2004 Outstanding Book Award from the National Communication Association's Ethnography Division; Ethnodrama: An Anthology of Reality Theatre (AltaMira Press, 2005), an edited collection of ethnographic-based plays; The Coding Manual for Qualitative Researchers (Sage Publications, 2009), a handbook on qualitative data analysis and a finalist for the American Educational Research Association's Qualitative Research Special Interest Group's 2010 Outstanding Book Award; Fundamentals of Qualitative Research (Oxford University Press, 2011), an introductory textbook; and Ethnotheatre: Research from Page to Stage (Left Coast Press, 2011), a playwriting primer for performance ethnography. He is currently preparing the second edition of The Coding Manual for Qualitative Researchers for publication by Sage in winter 2012.

Saldaña has published articles in such journals as Youth Theatre Journal, Stage of the Art, Teaching Theatre, Research in Drama Education, Research Studies in Music Education, Multicultural Perspectives, Journal of Curriculum and Pedagogy, and Qualitative Inquiry. He has also published chapters on research methods for such titles as Arts-Based Research in Education, Handbook of the Arts in Qualitative Research, Handbook of Longitudinal Research, New Approaches to Qualitative Research, Creative Arts in Interdisciplinary Practice, and entries for The Sage Encyclopedia of Qualitative Research Methods.

Saldaña's research methods in longitudinal qualitative inquiry, ethnodrama, and qualitative coding and data analysis have been applied and cited by researchers internationally to explore such diverse topics as:

Grades K-12 Education: mathematics education in elementary and middle school, sexuality

education, religious education, higher-order thinking in science and social studies classrooms,

English language learning (by Mexican immigrants and Korean youth), Chicago public school

teachers, high school teachers’ perceptions of occupational professionalism, school accountability results reporting, vocational education in Australia, school reform in Sweden, language policy for deaf students in Spanish-speaking homes, hegemonic masculinity in Portuguese physical education classes, urban after-school program evaluation, emotional and behavioral disability student mainstreaming in Hong Kong, children’s perceptions of climate change, disciplinary philosophies of secondary school administrators, critical praxis research and methodology, German middle school students’ perceptions of global warming, video club

teacher learning communities, Latino male perspectives on school disconnection, principal

succession planning and management, intergroup dialogue for bullying prevention in high

schools, narrative teacher evaluations of students’ moral development in Chinese schools

Higher Education: international university students, adult education in graduate school, graduate

teaching assistantship preparation, academic careers of scientists, university faculty professional

development assessment, student geologists’ visual penetrative ability skills, higher education

program branding, women faculty in Australian academia, undergraduate online education in

Australia, leadership competencies of college leaders, Latina college student perceptions of

learning communities, Black female and Latina careers in higher education, graduate student

teaching assistants’ encounters with student aggression, pre-service teacher professional

development in South Africa, university women’s dissertation advising, technical college

Hispanic student adjustments and challenges, Chinese language and theories in western research,

internal quality assurance systems in higher education, student perceptions of sexual violence

resources on campus, Generation Y occupational therapy students in Australia, educational

researcher development in Scotland, community college president termination dilemmas, the hero motif in community college leadership discourse, internationalism in Chinese higher education

institutions

Fine Arts: media education, theatre student retention and success in Canadian high schools,

elementary arts education in Canada, music education (US, Canada, and New Zealand),

community theatre in New Zealand, documentary filmmaking in Singapore, ethnodramatic theory

and ethnotheatrical practice (US and Australia), designers and engineers' thinking and decision-

making processes, research-based dance development, child audience reception to theatre, BBC

New Media public participation, music therapy in African prisons, adult lifelong impacts of high

school speech and theatre programming, art education for people with autism, informal music

learning through online communities, sustainable practices at music festivals in New Zealand,

management factors influencing location selection decisions for independent filmmakers, a

content analysis of music lyrics in Mexican narcocorridos,

Human Development: child empathy, gay youth and identity, transgender identity, female African American adolescents, African American biography, teenage and young mothers in the U.K.,child and family development in the U.K., adolescent masculinity in Australia, retirement dilemmas of people with intellectual disabilities in Australia, interpersonal dating and intimacy relationships among the elderly, older people’s resilience in New Zealand, preschool children’s play environments at home

Social Sciences: wives of professional athletes, abused women, domestic violence, military

reserve families during wartime, date rape prevention, civic engagement in adolescents and

young adults, stress and leisure time activities, contemporary oral communication trends, race

relations in Detroit, incarcerated youth in Canada, juvenile correctional officers as advocates,

immigrant adolescents and language brokering, Latino youth perspectives on immigration,

adolescent leisure in Australian parks, religious affiliation in Canada, qualitative research in

career development literature, environmental psychologies, introversion in sociological field

research, sociopolitical analysis of being “at risk,” African American Hurricane Katrina survivors

and disaster resilience, former intercollegiate athletes’ sport identities, Finnish migration politics,

donor relationships with faith-based organizations in New Zealand, the role of the Virgin of

Guadalupe among the Mexican community of the San Joaquin Valley, occupational stress and

alcoholism in bar workers, adolescent preferences for reality TV programming

Business: human resource development, innovation project termination, service encounter

interaction strategies, corporate social responsibility policies, multicultural group work in

management, organizational values-based change methods, souvenir shopping in Switzerland,

Canadian businesswomen, product innovation teams in the Netherlands, English language

proficiency among professionals in Indonesia and Malaysia, financial crisis analysis,

human resource practices for knowledge asset management, trial-and-error learning in

organizations in Denmark, social entrepreneurship and institutional-organizational logics in

Europe, nonprofit organization involvement with urban community forestry, organizational

change management and relocation in the UK, employment experiences of people with bipolar

disorder, young people’s perceptions and aspirations of future employment in Ghana, perceptions

of integrated testing strategies for hazard and risk assessment, participatory visual methods for

exploring organizational space, acculturation forecast models for apprentices and experts

Technology: the ethnography of technology, male resistance to women in technology, open

source software adoption, consumption values of technology, European retail barcode systems,

global organization use of social networking sites, digital document design, technical integration

scenarios in global supply chains, E2.0 (Enterprise 2.0) social software platform technology in

Australian business, effects of inducement prizes on technological innovation competitions,

electronic health record chart biopsies, virtual microscopy in human anatomy courses, technology

innovation in North American libraries, text mining methods for the analysis of large-scale

consultations submitted via the Internet in the UK, thematic synthesis in software engineering,

online dating and the use of technology for surveillance and risk management, interoperable

identity management for Kenyan government technology systems, end-user preferences for 3-D

mobile interactive navigation design

Government and Social Services: rural displaced worker assistance, heritage conservation of

England's National Trust, county administration in Sweden, the Great Lakes Water Quality

Agreement between Canada and the US, NASA telescope history, national forest policy in

Finland, Yukon intergovernmental communication, sanitation technology in third world

countries, US Air Force humanitarian assistance and disaster response, the health uninsured in

California, Australian public health policy makers, the US Violence Against Women Act,

sustainable plant protection in urban West Africa, public water sector management in Indonesia,

online family dispute resolution in Australia,

Health Care: women with HIV, Alzheimer's disease, families and dementia, spinal cord

compression recovery, stroke recovery and rehabilitation, patients living with inoperable cancer,

traumatic brain injury survivors and care providers, nursing and resiliency, interprofessional

collaborative practice among nurses and stakeholders, health profession volunteer perceptions of

the disabled, self-concept and social functioning of women with breast cancer, children’s

perceptions of parental depression, rural southern African Americans with HIV, nursing home

care in Canada, renal failure patient support in the Netherlands, risk behaviors of Slovene

injection drug users, substance use treatment in Canada, professional development of general

practitioner trainers and appraisers in the U.K., adult sexual assault survivor examination, alcohol

and drug intervention in rural Australia, community-based collaborative action research in

nursing, group psychotherapy in rural Uganda, physical distress and cancer care experiences

among Chinese-American and non-Hispanic white breast cancer survivors, learning

collaboratives in public health, surrogate decision making for patients with severe traumatic brain injury, residential alternatives for in-patient psychiatric services in England, enablers and barriers

for alcohol and drug program implementation in Australia, self-management of dementia,

internet-based self-management of diabetes with primary caregivers, emergency medical services

partnership, professional dignity in nursing

[all topics generated from personal correspondence, Google Scholar citations, and Google

searches]

Mr. Saldaña's workshops and keynote addresses reflect a broad range of interests including drama in the classroom, drama with multicultural materials, ethnotheatre, theatre for social change, and qualitative research methods. Saldaña has presented for such organizations as: the Arizona Artist/Teacher Institute, the New Orleans Public Schools, the Louisiana Institute for Education in the Arts, the Southeast Institute for Education in Theatre, the Tennessee Arts Academy, Northwestern University, Western Michigan University, the University of Wisconsin-Milwaukee, New York University, City College of New York, the University of Hartford, the University of Amsterdam, the University of Alberta, the University of Victoria, the University of Leeds; and at national conferences of: AATE, the Educational Theatre Association, Pedagogy and Theatre of the Oppressed, the International Drama in Education Research Institute, the American Educational Research Association, the National Association for Multicultural Education, Narrative Inquiry in Music Education, the National Council of Teachers of English Assembly of Research, the International Institute for Qualitative Methodology, the European Qualitative Research Conference in Health and Social Care, and the International Congress of Qualitative Inquiry.

Saldaña is an eight-time recipient of the President's Citation of Merit from AATE, the 1989 Creative Drama Award, the 1996, 2001, and 2011 Research Awards from AATE, the Burlington Resources Foundation Faculty Achievement Award in 1991, the ASU College of the Arts Distinguished Teacher of the Year Award in 1995 and 2008, and the ASU College of the Arts Research Award in 2005. In 2000, 2008, and 2009 he was recognized by the ASU Parents Association as a finalist for Professor of the Year.

Mr. Saldaña received his BFA in Drama and English Education in 1976, and MFA in Drama in 1979 from the University of Texas at Austin. Saldaña has taught at UT-Austin and Washington State University in Pullman. He was born in Austin, Texas, and currently resides in Phoenix. Professional memberships include: the International Association of Qualitative Inquiry, the International Institute for Qualitative Methodology (Member Scholar), the American Alliance for Theatre & Education, and the American Educational Research Association.

Wednesday, March 14, 2012

IJCAIP Advisory Board Profiles: Pia Kontos


Pia Kontos, Associate Professor

Research Scientist, Toronto Rehabilitation Institute UHN


Pia Kontos is a Research Scientist at Toronto Rehabilitation Institute-UHN, and Assistant Professor at the Dalla Lana School of Public Health, University of Toronto. Her current research program represents a convergence of several key interests or themes: The use of critical social theory and qualitative research methods to examine the norms and assumptions underpinning care practices in long-term care and rehabilitation settings; a philosophy and approach to person-centred care that emphasizes embodied selfhood (non-verbal self-expression), individualizing care, and psychosocial interventions in the clinical area of dementia; and the development, implementation, and evaluation of arts-based approaches such as research-based theatre, improvisational drama, and film to bridge her social science research on person-centered care with practice in long-term care and rehabilitation settings. She has presented and published across multiple disciplines. Recent publications of her research appear in: The Gerontologist; The Journals of Gerontology Series B: Psychological Sciences and Social Sciences; Dementia: The Journal of Social Research and Practice; Implementation Science; Qualitative Health Research; and Sociology of Health and Illness. She has also contributed to several edited volumes: Contesting Aging and Loss; Ageing and Place: Perspectives, Policy, Practice; Thinking About Dementia: Culture, Loss and the Anthropology of Senility; and Old Age and Agency.

Recent research

She recently received a CIHR grant to conduct an evaluation of the art of clowning as an innovative approach to person-centred dementia care.

Abstract:

Alzheimer's disease is a progressive brain disorder characterized by impaired memory, thought and speech, and currently affects approximately 300,000 Canadians. Once institutionalized, behavioural problems (e.g. agitation) have been found to occur in up to 90% of residents with dementia, and are commonly treated with combinations of environmental (e.g. room isolation), mechanical (e.g. wrist straps), or pharmacological (e.g. sedatives) restraints.

The philosophy underpinning more humane approaches to persons with dementia is referred to as person-centred care, in which non-pharmacological interventions are recommended before resorting to various forms of restraint.

Arts-based approaches to person-centred dementia care are particularly effective. A novel intervention is the art of clowning, which involves multiple artistic modalities such as song and music, theatrical devices (e.g. puppetry), humour and emotions (e.g. slapstick, laughter), and movement and physical performance (e.g. dance). However, the art of clowning has not benefited from recent advances in person-centered care, specifically work that emphasizes the importance of attending to the bodily expressiveness of persons with dementia - captured in the notion of embodied selfhood. The purpose of this study is to enhance clowning in dementia care with the embodied selfhood philosophy and approach to person-centred care, and to evaluate the enhanced clowning program in a long-term care facility. A 12-week clowning intervention will be tailored to the study unit to optimize implementation and impact. We will collect information from residents, health practitioners, and administrators using questionnaires, an observational protocol, in-depth interviews, and video in order to explore changes in health care practitioner and resident outcomes that result from the intervention, why the intervention worked or failed, the needs for refinement, and the factors important for replication.